- Diccionario de la Cultura de Burgos 2001 - 2010; Editorial DosSoles.
- Diccionario de Pintores y Escultores Españoles del Siglo XX. Editorial Forum Artis.
Con crítica de Mario Antolín Paz
- Galería Nela Alberca (Madrid)
Julio Camarero has moved over
the years in the territory of painting as a space of representation.
His search aims at the transformation of our observation of the real,
not as something in itself but as an object still to be defined, and
his painting is the tool and conclusion of his exploration. Following
Cézanne´s tracks, Julio converts the outside model into the motif of
his paintings. It is no longer a question of picking up the facts from
the real model that have made the greatest impact on us and then reflect
them on the canvas, but rather a question of using that external model
as an excuse to suggest a new dimension of our perceptiveness.
serves the purpose of creating these new spaces of perception. It is
based on colour strokes and planes which show themselves as such, that
way returning to the origins of pictorial representation, in spite of
which the images created are radically contemporary. Julio puts forward
a game for us; it is a game with the planes of colour, which places
us between the three-dimensional illusion and the definitely flat condition
Daniel Lupión Romero, Artista plástico y coordinador de ECCA.